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Firstly, I wanted to make it simple: A character with a goal who meets an obstacle. I approached this story from many angles. What’s the inspiration behind the character and his story? We can see examples of techniques taught on the course here in Booty Call, your animatic. Students can either get individual courses, or subscribe to the entire platform and have access to everything. My course is available through CreatureArtTeacher, Aaron Blaise’s tutorial website. Where can we find your course and how can our readers access it? Rough and clean storyboard panels from Tim Hodge’s short, Booty Call. I have taught storyboarding at both Academy of Art University (online) and Lipscomb University, so this course distills down everything I’ve laid out in my curriculum over the years. It sounds simplistic, but putting 2 or 3 images in a row to tell a story is the heart of everything we do.
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I explain the basics of film language, and how to tell a story visually. My course is geared for artists who want to get into storyboarding but are not sure where to start. What can artists expect to learn in your course? Now that it seems that most studios use Storyboard Pro, it’s a benefit to be able to upload my files directly, and know that they are compatible with production.
![toon boom harmony no sound toon boom harmony no sound](https://docs.toonboom.com/help/harmony-10-3/Content/Resources/Images/HAR/Stage/Interface/HAR_DefaultWorkspace_001.png)
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Using Storyboard Pro has really streamlined my process, and made storyboarding much quicker, and more impactful for my clients.
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But then I saw the tutorials by Sherm Cohen, and the way he explained the UI made it so simple.
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Originally, I used it simply to organize my panels and provide a nice PDF presentation for my clients. I first started using Storyboard Pro 4 about 12 years ago. How has Storyboard Pro helped you throughout your career? I am currently a freelance storyboard artist. Around 2008 I decided to go freelance, and worked for many studios including shows for Cartoon Network and Warner Brothers. About that time I decided to leave Disney and join up with the little studio called Big Idea that produced the series VeggieTales, where I directed several episodes. While there I in-betweened on the Roger Rabbit short, Trail Mix-up, then The Lion King and animated on Pocahontas, then moved into story on Mulan, John Henry and Brother Bear. From there, I moved to Disney Feature Animation at Disney/MGM Studios in Orlando (Now Disney’s Hollywood Studios). I was at a small studio where I storyboarded, animated, in-betweened, as well as painting cels and occasionally operating the camera. I got started in animation back in the 80s working in TV commercials. For those readers not yet familiar, please introduce yourself and your background! Tim Hodge storyboarded this short story as part of his lesson series, Storyboarding for TV Animation.
![toon boom harmony no sound toon boom harmony no sound](https://i.ytimg.com/vi/kfYp2Ab-MWU/maxresdefault.jpg)
Need a taste? Read our interview with Tim below, where we discuss a segment of the course and enjoy other tips and techniques from his process. You can learn more about Tim’s Storyboarding for TV Animation class, where you’ll find his industry experience packed into every episode. In our interview below, Tim was kind enough to break down the process, from analyzing dialogue from a storyboarder’s perspective, to drawing thumbnails and optimizing camera views for animation.
![toon boom harmony no sound toon boom harmony no sound](https://i.ytimg.com/vi/uuLK9k4gyKQ/hqdefault.jpg)
It offers a comprehensive look at the process of storyboarding from the moment you receive the script.
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The course focuses on Storyboard Pro and provides insights to learn on how the software helps artists bring brilliant animation to the small screen. Tim’s latest contribution to the industry: an online course targeted at storyboarders on animated TV shows. Having contributed storyboards to fan-favorites like Mulan and Brother Bear, Tim now operates as a freelancer as well as a teacher of storyboarding and drawing. If you’ve been following the animation business for a long time, chances are you’ll have seen the work of Tim Hodge a veteran animator and storyboard artist who has worked the lines behind-the-scenes of your favorite animated feature films, from the 1980s to today.